My Favorite Room Essays - Millwall F.C., The Old Den,

My Favorite Room My Den is a great place to hang out, play some pool, or just get away from the stress of every day life. My Den offers superior sound and entertainment. It has no stress related items such as a telephone, computer, desk, and no pagers are allowed. This room represents fun and relaxation for all that enter the room. My entertainment center offers a wood grain big screen TV. Complete with surround sound and multi-function remote. The picture within picture offers dual sport viewing, to bring live sports action to the room. For half-time entertainment, guest can enjoy a antique carved wood clawed foot professional size pool table, which was bought from Minnesota Fats estate auction. Billiard action is well lit by the hand cut glass Billiard lamp hanging from the open wood beam ceiling. Lazy Boys abound sitting on top of genuine hand pegged oak floors. Guest never leave hungry or thirsty as the hand carved saloon for is always well stocked with cold beverages and hardy sandwich fixins. To create a totally stress free environment the following rules must be observed. No ties, briefcases or any other work related articles. No phones or pagers are allowed so there are no interruptions. These are to insure a fun and relaxing time. My Den is a great place to hang out, play some pool, or just get away from the stress of every day life. It is almost impossible not to have a good time when you are in my den. Outline A. Introduction B. Why the den is a great place to hang out. C. Pooltable D. Get away from stress of everyday life. E. Closing paragraph

Free Essays on Corporate Culture

Corporate Culture Edgar H. Schein:The Corporate Culture Survival Guide In â€Å"The Corporate Culture Survival Guide, â€Å" Edgar Echein presents a concise analysis of the concept of corporate culture; what it is; how it operates; why it matters; and how to improve it. The book is organized around the questions that mangers ask – What is corporate culture? How can I assess it? How can I change it? The book then provides clear guidance for evaluating an organization’s current culture and determining if it supports or undermines the organization’s goals. Chapter One answers the question, â€Å"Why Does Corporate Culture Matter?†. â€Å"Culture matters because decisions made without awareness of the operative cultural forces may have unanticipated and undesirable consequences.† The author provides examples of situations where a company has an engineering culture and then brings in a CEO from sales and marketing background. This mismatch of cultures created a situation where the new CEO was unable to be effective because he was unable to understand the culture’s impact on the organization. A successful mid-life organization might not continue to prosper if they do not evolve and adapt elements of their culture. The organization clings to whatever made it a success. I have a client that was very successful in the eighties and early nineties by being self contained and developing investment products that were unique. They continue to believe that unique products are the way to success even though the market is looking for products that have easily processed and comparable features. This company is reluctant to look outside for expertise in a very competitive market and the firm has seen their market share drop, as their products do not fit easily into today’s trading parameters. The author goes on to define culture and make it clear that culture is a complex concept that is deeply embedded in an organiz... Free Essays on Corporate Culture Free Essays on Corporate Culture Corporate Culture Edgar H. Schein:The Corporate Culture Survival Guide In â€Å"The Corporate Culture Survival Guide, â€Å" Edgar Echein presents a concise analysis of the concept of corporate culture; what it is; how it operates; why it matters; and how to improve it. The book is organized around the questions that mangers ask – What is corporate culture? How can I assess it? How can I change it? The book then provides clear guidance for evaluating an organization’s current culture and determining if it supports or undermines the organization’s goals. Chapter One answers the question, â€Å"Why Does Corporate Culture Matter?†. â€Å"Culture matters because decisions made without awareness of the operative cultural forces may have unanticipated and undesirable consequences.† The author provides examples of situations where a company has an engineering culture and then brings in a CEO from sales and marketing background. This mismatch of cultures created a situation where the new CEO was unable to be effective because he was unable to understand the culture’s impact on the organization. A successful mid-life organization might not continue to prosper if they do not evolve and adapt elements of their culture. The organization clings to whatever made it a success. I have a client that was very successful in the eighties and early nineties by being self contained and developing investment products that were unique. They continue to believe that unique products are the way to success even though the market is looking for products that have easily processed and comparable features. This company is reluctant to look outside for expertise in a very competitive market and the firm has seen their market share drop, as their products do not fit easily into today’s trading parameters. The author goes on to define culture and make it clear that culture is a complex concept that is deeply embedded in an organiz... Free Essays on Corporate Culture Article ~ New York Times ~ â€Å"Speaking the Language of Success† In 1999, the Nissan Motor Company, controlled by French automaker Renault, hired Carlos Ghosn as President and Chief Operating Officer. Ghosen is â€Å"Brazilian-born, French-educated and American-experienced†. This article chronicles Ghosn’s efforts to save Nissan from bankruptcy, and the response of Nissan’s Board of Directors, Workers, and the Japanese public to a foreign manager with a different management style. Carlos Ghosn joined Nissan when the company was at the brink of bankruptcy and was able to, â€Å"boost profits, and decrease debt in a very quick fashion†. The methods and approach used to accomplish this financial revival have included:  § Changing Japanese attitudes about foreign managers and corporate culture  § Cutting Costs and Jobs by closing plants, making it necessary for employees to accept transfers to stay with the company  § Changing supplier relationships, eliminating â€Å"unwinding the traditional keiretsu system of interdependency with suppliers† who could not meet quality and cost cutting demands  § Management overhauling, replacing senior managers with younger types  § Linking pay to performance – â€Å"replacing seniority with a merit based system of cash bonuses and stock options† Hofstede’s value dimensions say, â€Å"the core of the Japanese enterprise is the permanent worker group†, they show a small power distance, a high acceptance to strong uncertainty avoidance, an acceptance of collectivism, and high goal orientation. The article confirms Hofstede value dimensions by identifying Japan as a, â€Å"land of lifetime employment and resistance to foreign control†. The results of Ghosn’s tenure at Nissan seem to contradict Hofstede. Ghosn is a foreigner, has top level meetings in English, has rewarded success through a merit system, reduced the number of parts and service suppliers based on quality, cut the workfo...

Writing Habits to Jumpstart Your Creativity and Keep You Focused - Freewrite Store

Writing Habits to Jumpstart Your Creativity and Keep You Focused - Freewrite Store I don’t know about you, but for me, I find that creativity and inspiration are two of the hardest things to come by as a writer. Random flashes of ideas for stories are great when they happen, but what about all those times you need to intentionally create an idea for a story or an article? Today’s guest post is by  Matt Grant.  Matt is a Brooklyn-based writer and editor.  His  work has appeared in  Literary Hub,  Book Riot,  HuffPost, and  BookBrowse.  Find Matt  online, or follow him on  Twitter  and  Facebook. I don’t know about you, but for me, I find that creativity and inspiration are two of the hardest things to come by as a writer. Random flashes of ideas for stories are great when they happen, but what about all those times you need to intentionally create an idea for a story or an article? As humans, we’re all creatures of habit. But our habits are always doing one of two things: helping us or hurting us. The good news for writers is that we can leverage our tendency toward the habitual to aid us in the writing process. Good writing habits, when used correctly, can help us get into a regular rhythm that cultivates inspiration and keeps us focused during our writing time. Below are some of the best habits you can start today that will jumpstart your creativity and make sure your writing time is fruitful and rewarding. Before the Process Practice Morning Pages Morning pages were first introduced in Julia Cameron’s The Artist’s Way: A Spiritual Path to Higher Creativity.The idea of morning pages is simple: the first thing in the morning, write three full pages in a journal or notebook, longhand, as stream-of-consciousness. It’s not supposed to be great writing, and you’re not to self-edit. The main purpose for practicing morning pages is to clear your mind of all distracting thoughts, tasks, and moods that might hinder your creativity that day. When it comes time to write, you won’t be thinking about the laundry you have to do or the conversation with a friend you need to have that day, because you’ve already written it out and set it aside for later. Do writing prompts I’ve recently discovered the huge benefit of writing prompts after being skeptical of them for many years. Often writers don’t think they need to do prompts because they prefer to come up with their own ideas.   But the right prompt can open up new ideas and ways of looking at things you aren’t able to see on your own. You can find writing prompts a variety of ways. Many are free online, you can buy a book of them, or come up with them yourself. Write them down to use at a later time. Try writing sprints Often the challenge for writers is to finish a piece of writing without worrying about it being perfect. That’s where sprints come in. Sprints are short bursts of writing, about 15 minutes at a time. They’re like doing repetitions at the gym. You do a sprint, then rest and do something else, then do another sprint, then rest again, and so on, for as long as you like. Similar to morning pages, you shouldn’t stop writing or try to edit your work during the sprint. Just pick a topic and write for fifteen minutes straight. When you’re done, you’ll have a finished thought or a piece of flash fiction that can then be edited and shaped into something more significant. Check out this free sprinting program  by the Freewrite team  to help you! Read voraciously I know, I know, I probably should have put this one first. It can sometimes be hard to see how reading directly affects your creativity, especially when you’re anxious to get a work in progress done, and you’d rather be writing. But the adage â€Å"a writer is first and foremost a reader† is absolutely true, so read widely anything you can get your hands on, any chance you get. Read different genres in different forms – novels, articles, essays, short stories, poetry and flash fiction. You never know when something you read will strike you as inspiring, and the more you absorb the words of others, the better your own words will get. To get started, try this reading challenge that forces you to read diversely. During the Process Pick the right time of day Once you’ve had that flash of inspiration and are settling in to get started on your work, it’s important to implement the right habits to keep you on track and focused. One of the first steps is figuring out when you’re likely to get your best work done. I’ve personally found that waking up extremely early and writing first thing in the morning has opened up the rest of my day. After I get home from work, I don’t feel as energized or as focused. Of course, not everyone is a morning person. For you, it might be at night, or in the afternoon. Pick which time of day you’re at your most alert and creative, and block out that time to write. And once it’s scheduled, stick to it! Change locales If you’re in a rut, one of the best things you can do is get a change of scenery. Often, finding a coffee shop or a nice library, surrounded by books or soothing music, can be a real boon to getting those creative juices flowing again. If you don’t have a place nearby where that’s possible, go for a walk to clear your head and come back to your work with fresh eyes. Put away distractions However, these locations can only be helpful if you’re not distracted, so be ruthless about putting distractions away! Buy a pair of noise-cancelling headphones, turn the wireless off on your computer, put away your cell phone, and stay away from your inbox. We all know the Internet is a black hole – one minute you’re looking something up for your project, and the next, you’ve spent an hour on Facebook. Set aside another time for planning and researching. Keep your writing time sacred for just that – writing.    Bonus Question: Do you really need to write every day? This suggestion is usually at the top of most writing advice lists. To be honest, I’m inclined to distrust it. I’m wary of anything that’s touted as a â€Å"must† or some mystical talisman. Of course, it’s a good idea to get into a habit of writing on a regular basis. Of course, you should often write and for long periods of time.   But I firmly believe, as with everything, writing should be done in moderation to maximize its effectiveness. More and more research is pointing out how, paradoxically, working less actually leads to more productivity. People who are constantly working are more tired, more anxious, and less inspired – all of which are deathblows to creativity. I regularly take vacations from writing, where I don’t do any kind of work at all. At the end of these breaks, I always come back to my work with a renewed sense of enthusiasm and motivation.    So, by all means, write as often as you can, but if you miss a day, give yourself some grace. When it comes to inspiration, there’s a lot to be said for being out in the world, doing other activities and experiencing things that will fuel your stories. For a writer, there’s no better inspiration than just living life. There’s no doubt that writing is work – hard, grueling, sweat-inducing work. Just as with everything, there are working behaviors and practices you can put in place to help you be more productive and less distracted. Obviously, not everything on this list is going to work for you, and there might be something I left out that’s even better. If so, please leave a comment and let me know what behaviors and practices you have that help keep you inspired! What writing habits do you swear by? Do you have any habits or routines that you love and would recommend to others? Let us know in the comments!    Matt Grant is a Brooklyn-based writer whose work has appeared in  BookRiot, The Huffington Post, BookBrowse, and  Pop Matters. When he's not writing or reading, he works in youth development as an after-school program director for one of the largest middle schools in Manhattan. You can find him online at www.mattgrantwriter.com or on Twitter: @mattgrantwriter.

Naomi Klein's Don't Fence Us in Essay Example | Topics and Well Written Essays - 500 words

Naomi Klein's Don't Fence Us in - Essay Example This paper illustrates that in recent times on a worldwide scale, capitalism has been evident in free trade, as carried out by the World Trade Organization (WTO) and in the phenomenon called globalization. Klein’s essay uses the metaphor of the fence to describe the barriers that come up every time capitalist policies are enforced. The fence here can be virtual as to stop or paralyze people from exercising their freedom   The fence can real and visible, as when governments or powerful groups prop up security apparatuses to keep out workers or activists from getting too close in their protests against capitalism. She describes capitalism as the all-source or origin of state policies such as privatization, of World Bank missives to borrower-governments dictating fiscal or budgetary priorities, and to the recent phenomenon of globalization. On the other hand, she also writes that capitalism is dismantling â€Å"necessary fences† such as the one protecting schools from be ing invaded by advertisements, an example of a public space being overtaken by the private sphere. The purpose of the â€Å"Don’t Fence Us In† is to dominate and discredit capitalism for being the all-source of the negative manifestations of privatization, of the continuing debate on free trade and globalization and of even on the issue of what is behind genetically-modified food. Her arguments are too all-embracing as they try to tackle several issues all at once and point to one single cause, capitalism.

History of Development Exxon Mobil Research Paper

History of Development of Exxon Mobil - Research Paper Example In 1870, Standard Oil Company with Rockefeller and his associates transformed the Exxon Mobile and the combined facilities became the main basis of what had been known as the largest refining capacity of any single company in the world. Standard had been carried as a name due to fact that the word means uniform which pertains to the quality of the oil products. In the same decade, specifically in 1879, the Standard Oil Co. owned a significant part of the Vacuum Oil Company, a pioneer in lubricant products. The company which was established by Matthew Ewing and Hiram Bond Everest was known for products such as the revolutionary Gargoyle 600-W Steam Cylinder Oil (ExxonMobil Site). In the same year, the Standard Oil Trust had been established in cooperation with 30 affiliated companies (Tracy, Tordo and Arfaa 15). In the next decade, 1880, the domestic share in the refining of the company increased to 95 percent (Tracy, Tordo and Arfaa 15). In 1882, the Standard Oil products were used for Thomas Edison’s first central generating system. In the same year, the Standard Oil Companies in New Jersey and New York were included in the Trust. The headquarters of Standard Oil Trust then moved to Broadway, New York in a 9-story office which became one of the most important landmarks in the city. Also in the same year, the Gargoyle Arctic was developed by Vacuum and used for new designs of generators and motors for a maximum speed of 1000 rpm (ExxonMobil Site). The new century still opened new opportunities for the company. In 1903, the Wright brothers were included in the loyal clients of Jersey Standard fuel and Mobiloil lubricants by Vacuum.

Styles Used in Islamic Art

Styles Used in Islamic Art What is sacred art? Who determines what art is sacred? And what reasons do they decide upon? Many questions surface when it comes to distinguishing the difference between sacred art, religious art, and traditional art. The three are different from one another in some way. Sacred art includes depictions encouraging humans into spirituality. It is the result of divine inspiration. It is basically something specifically made for the purpose of worship and can range from a prayer carpet to the prayer itself. Due to the fact that in the Islamic civilization, the depiction of figural representation is forbidden, Islamic art primarily focuses on spiritual geometric forms, calligraphy and biomorphic designs. From the Middle-Ages, Islamic art has always had this theme of balance, unity and harmony in its patterns; which in Arabic is called el tawhid. It uses repetition of designs to come across with crucial concepts such as Gods creation of the universe. In comparison, religious art is that type of non-traditional art devoted to religious themes and functions even if its method of execution and language are no longer traditional (Sophia 1996). It consists of illustrations of themes or events depicted in holly books. This type of art can only be appreciated by its followers. For an example, to a Muslim a painting of Saint Mary and Jesus may not seem as appealing as it would to Christianity followers. Finally, traditional art; is dissimilar from both the previously stated arts as it is the art that deals with a culture or a specific group of people. Due to all its principles and techniques of symbolism it assists the viewer to become aware of the Divine; which is in Islam God but for an example in Christianity Jesus Christ. Egypt with all its mosques, churches and even Jewish temples, is a proper example of where many traditional arts appear since there is many arts however they suit all the religions perfectly. The Islamic work of art is a symbolic statement, as is all art; for it attempts to make a sensory representation of an important idea not evidenced to the senses (Al Faruqi). However, the Islamic civilization tends to spread religious architecture rather than sacred architecture. It focuses primarily on representing the theme of tawhid through its architecture, calligraphy, and forms. However, it is impossible to for a non-follower to understand this type of art. In reverse, it is also impossible for one to understand Islam and its message without being exposed to its art; which carries a true and deep meaning to it. This can all be understood by looking back at what Henry David Thoreau once said its not what you look at but what you see; where symbolism is explained; that what the art means or reflects varies from one person to another. As Islamic art focuses on patterns and symmetry to demonstrate unity it uses many styles to accomplish its mission. One of the famous styles used in Islamic civilization is the smallness of the elements of the compositional motifs which is how forms are fixed to the smallest details. This is concluded to drive the viewer to concentrate on every little detail. A second style used in Islamic art is the complication of the motifs which generates the viewer to look at the design from different perspectives. The third style seen in Islamic art uses repetition of patterns; to symbolize infinity. Islamic art also contains many forms such as divisions and symmetry. Such divisions embody organization and infinity. Most of the previously stated styles and forms can be found in the famous design called the Breath of the Compassionate. The Breath of the Compassionate, or al-nafas al-rahman, is an eight-point star, is a famous design to many cultures and religions. It can be found in many religious iconographies; just like the form of a niche can be found in churches, synagogues and mosques. However, it holds a different meaning to every religion it is illustrated in. I believe this widely-known design of symmetry and balance has great significance to the Islamic idea of el tawhid demonstrating harmony and unity. One of the major reasons, I believe so is because it uses all of the forms and styles I have previously stated above such as symmetry, repetition and geometry. One major aspect that needs to be explained in many of the Islamic designs is the use of the number eight; in the number of sides, points of a star and so forth. This number is used in many of the Islamic designs especially where octagons can be found. The Breath of the Compassionate is a great example to look at while discussing the deep meaning behind the number eight. The number eight holds different meanings to many cultures as well as to diverse religions. First and foremost, eight symbolizes eternity and absolute perfection (Schimmel). It is also the number of how many gates Paradise has unlike Hell which has seven only. This shows that Gods mercy is greater than His wrath (Schimmel). The word Compassionate in the phrase the Breath of the Compassionate is derived from the ninety-nine names of God. Compassionate resembles infinity therefore; Islamic designs tend to be repetitive. As a result, I believe that the indirect message behind the phrase the Breath of the Compassionate is Gods creation of the universe. Moreover, it represents His endless compassion towards Muslim followers; which in Arabic is rahma. In conclusion, as Islamic art displays no figural representations and entirely focuses on symmetrical and unified geometrical patterns it carries a deep meaning to it that mostly only Muslims can comprehend. All Islamic art follows the transcendent theory of el tawhid; to inspire Islam followers into believing in the concept of La-illah ila-Allah; meaning one God. To sum up all my points, I believe the unity and balance created in Islamic iconographies demonstrates the creative will of God.

Xacc 280- Week 7 Check Point Ratio

Calculations- Liabilities and Assets for PepsiCo Inc. based on their consolidated Balance Sheet Current Ratio= 10,454 (Current Assets)| = 1. 11%| 9,406 (Current Liabilities)| | 2005 2004 Current Ratio= 8,639 (Current Assets)| = 1. 28%| 6,752 (Current Liabilities)| | | Vertical Analysis- 2005 %= 1,716 (Cash, and Cash Equivalent)| = 0. 054 or 5. 4%| 3,1727 (Total Assets)| | Vertical Analysis- 2004 %= 1,280 (Cash and Cash Equivalent)| = 0. 46 or 4. 6%| 27,987 (Total Assets)| | Horizontal Analysis- 2005 (10454 (total current assets 2005) / (8639 (total current assets 2004) = 1. 2101| Or 21%| Horizontal Analysis- 2004 (9404 (total current liabilities 2005) / (6752 (total current liabilities 2004) = 1. 393| Or 39%| These analysis show: that the PepsiCo has had an increase in assets by 21%, with an increase in liabilities of 39%. This is a result of the company obtaining more liabilities. | Calculations- Liabilities and Assets for Coca-Cola Co. based on their consolidated Balance Sheet 2005 Current Ratio= 10,250 (Current Assets)| = %| 9,836(Current Liabilities)| | 2004 Current Ratio= 12,281 (Current Assets)| = %| 11,133(Current Liabilities)| | Vertical Analysis- 2005 %= 4,701(Cash, and Cash Equivalent)| = 0. 1598 or | 29,427(Total Assets)| | Vertical Analysis- 2004 %= 6,707(Cash and Cash Equivalent)| =0. 133 | 31,441(Total Assets)| | Horizontal Analysis- 2005 (10250 (total current assets 2005) / (12,281 (total current assets 2004) = 0. 8835| Or 83. 5 %| Horizontal Analysis- 2004 (9,836(total current liabilities 2005) / (11,133(total current liabilities 2004) = | Or 88. 35%| | | These analysis show: that the Coca-Cola Co. have had a decrease in assets between of 83. 5%, and more of a decrease in liabilities of 88. 35% between the years 2004-2005.